I've just returned from a vacation to the U.P. and I can't imagine having taken the trip without this wonderful guide. Almost every town and village in the U.P. is covered with detailed, honest, useful information. This is literally the only guide you'll need.

Frommer's, Lonely Planet, Fodor's and Baedeker's take note:
This is one excellent travel guide! More than hotels, motels, watering holes and restaurants, "Hunts' Guide to Michigan's Upper Peninsula" goes where other guides don't: into the hidden crevices of a community to ferret out little-known facts.The Hunts help you find local color as well as food and lodging. This book is for the traveler who is tired of the usual- or for anyone who goes to the U.P. for day trips and getaway weekends.. This is not a standard guidebook. It's quirky and interesting - and reads like a good magazine feature story. How about we send the Hunts to San Francisco or New Orleans or Savannah - to get the real scoop on those wonderful destinations?

This book is a "must-have" for anyone who wants to get the most out of any trip to the Upper Peninsula. After dozens of visits to the U.P., I had thought I'd pretty much covered it all... until I picked up this book. The Hunt's have apparently combed through every nook and cranny of the U.P. and present everything a visitor would need to know! Much reccommended!

An outstanding guide to a wonderful state. One book, of course, cannot cover all there is about any area this big, but this book does an outstanding job for Wyoming's history, lodging, attractions, background information, etc.

As for any area, it's good to supplement with other specialized topic and / or area guides, but for a general guide to a large state, this one does a great job.

Logically arranged, well-written, and very readable, you can almost read it straight through; it's one of the better travel guides available.

I happened on this book in the library and thought it was the best travel book I have ever used. This is nothing missed in this handbook. Great maps and advise.

Most of the "name brand" travel guides are for fly-by tourists (though I do appreciate Frommer's guides much more than the rest of the big names). Well, if those books are for tourists, then Moon's handbooks (along with Lonely Planet's guides) are for TRAVELERS. And Moon's Wyoming Handbook is, as others here have said, one of their best. It's thick, it's juicy, it's meaty, it's expansive, it's authoritative and wry. So wherever you are in that great big "empty" terrain, it's got some practical information for and historical and cultural insight into places all around.

Wyoming has fewer people than any other state (yes, fewer than Rhode Island and Alaska). But it's places of interest are many and varied, though scattered far and wide. You need a good guide and a GOOD READ to cover the miles and the days. I admire author Don Pitcher's efforts here.

If you choose one guidebook, make it Moon's Wyoming Handbook. If you'd like to get a second general guide to the region for comparison and cross-reference (including more descriptive listings of selected accommodations), I'd add Frommer's guide to Wyoming, which includes Montana as well.

This book is absolutely spellbinding and captivating in it's presentation that is both an excellent narrative and artistic with imagery to further enhance the experience. The editorial review here at Amazon by Kirkus Reviews is a good synopsis to get a good idea about the books contents. Also there are many sample pages available for your perusal. From a readers perspective this book is one to cherish after the reading experience is over. Carlos Fuentes presents the subject of Spain and it's influence on the new world with clarity and makes his points with the precision of a sugeon, clean and accurate. Beginning with the ancient imagery of the bull found in caves in Spain Fuentes begins his analysis showing how this imagery continues in the arts and culture in such diverse domains as the works of Goya and Picasso, advertisements for brandy and of course the Spanish spectacle of bullfighting. He picks and chooses his historical path, weaving through the centuries concluding with the the growth of Hispanic USA. The book is full oh historical facts, little known bits of information abound as Fuentes draws analogies that stimulate the mind, stimulating the reader to conclude further inferences. The book reminds me of Bronowski's "The Ascent of Man" only on a smaller scope, from a perspective that makes connections between Spain and Latin America as oppossed to the whole of humanity. The "mother" countries influence is expounded upon as only Fuentes can, his use of language is powerful, insightful and revealing all the while showing his keen intelligence and sharp eye for details. The accompanying artwork throughout the book is fantastic and helps the reader to further understand the subject. A moving narrative is delivered by Fuentes and I highly suggest this book to anyone interested in the history of Spain and it's long lasting influence in the Americas. A natural outcome of reading this book is to further explore one of the many topics introduced. Included is a complete lineage of Spanish succession detailing the various ruling families and marriages that created the kings and queens of Spain. Aslo there is an outstanding suggested bibliography. This is a superb book that stimulates the mind while you read and beyond.

This book is good for readers who are interested in Hispanic culture but don't know where to start looking for information. Carlos Fuentes introduces Latin America poetically and simply.

This is by far the best book I have encountered that deals with Spanish and Latin American culture. Fuentes is at once poetic and historically fluente. The book moves smoothly, and the subjects with which it deals (which may be made boring by a less skilled writer) always hold the reader's attention. It's better written in Spanish, but the translation is pretty good too. If you like any of Fuentes' other works, or are simply interested in Hispanic culrture and philosphy, buy this one.

An outstanding work of narrative history. Fehrenbach occasionally refers to works he has cited but most often presses forward with the story uninterrupted by footnotes. A bibliography is included following the text.
This is a wide-ranging look at the Comanche spanning their first known origins and their ethnic, cultural, and environmental evolution into the ultimate horse Indians. The tribe's history is set in the context of the history of the land they occupied. First, Fehrenbach lays out the Spanish conquest of northern Mexico, and the imperial policies that governed their frontier, and delineates how those policies and practices fostered the advance of Comanches as a horse culture built on raiding and marauding. Then with the demise of the Spanish as a power, he juxtaposes the Comanche against the advancing Anglo-Texan population. Not only does this paint a complete picture of the Comanche, it provides an overview of the history of the region and great insight into the differing approaches to empire among the Spanish, French, and Anglos and the results those policies produced on the ground. Not dull stuff at all the way he tells it.
Fehrenbach's writing style is fluid and transparent, designed to tell the story not to draw undue attention to himself as a writer. He has a novelitst's sense of pace and drama that never allows the story to bog down. He also has an eye for character and detail that deftly draws together the telling elements that make his vignettes poignant and memorable. Most of all, however, he formulates deductive historical insights that pinpoint the causative factors shaping the direction of history. And all this in a text as readable as a finely crafted novel.

If it's possible to write five hundred pages of historical non-fiction without bias, Fehrenbach has done it in Comanches. The book is devoid of rhetoric, overstatement, or preaching. He is a man absolutely committed to fact. What he presents in Comanches is a sweeping tome on the origins and ultimate destruction of a fascinating culture.

Vast in scope, Comanches begins with an anthropological study of the warring tribe's development and domination of rival Indians. They were nomadic people, living in harmony with the plains, sustained by the seemingly-infinite buffalo herds. More than anyone else, the Comanches are responsible for America's English-from-the-East-coast heritage rather than what would have been domination by the Spaniards coming north out of Mexico. The Comanches' fierce resistance delayed European domination of the West by several centuries.

Fehrenbach's treatment of the Comanche's adoption of the horse, introduced to North America by the Spaniards, is brilliant. Anyone who has ever ridden a horse bareback knows how difficult it is to stay aboard, and can't help but be in awe of the "horse people's" ability to ride at full gallop and accurate shoot arrows or, later, rifles.

The book finishes with the sad destruction of the Comanche culture by the relentless and overwhelming advance of European "civilization" from the East.

In a word, Fehrenbach's scholar-level book leaves you with a deep respect for the Comanches. --Christopher Bonn Jonnes, author of Wake Up Dead.

Well researched, interestingly written. I could not put this book down. Mr. Fehrenbach provides a balanced perspective many books do not.

I gave this book to 25 family members and friends for Christmas and I have received most wonderful comments from everyone. They praise the photography and the text. One person wrote that she could "see" the grandparents walking down the path to the beach with their grandchildren. If you know someone who has ever summered in the Great Lakes in their own summer home or in a rented cottage this book is a must. It does capture the essence of cottage living in this area.

The Great Lakes Cottage Book is a specialty title recommended for those who love cottages and Minnesota. The authors present fine photos and recollections of Great Lakes cottages and scenes, focussing on subjects which reveal the cottage experience. The result is a coffee table book celebrating a special place and structure.

Ed Wargin's photographs capture the emotions of these much loved cottages with a sesitivity and beauty that few others could accomplish. His use of natural light is extraordinary and gives a warmth that reflects the feelings that abound in these cottages.

When you add Kathy-jo's unique ability to convey loving sentiments in short essays, this becomes an heirloom book. I will never again hear the screen door slam, or sit in on a rainy day or do any of the other normal activities in a cottage without remembering Kathy-jo's essay about that activity and how she captured emotions that I have had but never before seen expressed so beautifully. Thank you Ed and Kathy-jo for seeing into our hearts.

As a freelance author writing a piece about salmon for a California-based magazine, this book was indispensible and eye-opening. It is unfailingly sensitive and intelligent about salmon, discussing the fish as fellow creatures in the "natural economy" in which we all live, rather than as mere commodities in the "industrial economy" that has transformed the West in the last 150 years. It is fascinating about the geology that shaped the salmon's environment, the evolutionary history of the fish, the relationship between Native Americans and salmon in the Northwest, and it provides a detailed history of the many factors that have led to the salmon's decline, including habitat destruction, misbegotten hatchery programs, overfishing, dams, mining, grazing, irrigation. If you like to read books about ecology, the creatures of the earth, fish, or the Northwest--you can't go wrong. This is a wonderful book.

A thoroughly researched and impassioned presentation including the history of salmon, their decline, why billions of tax dollars in restoration efforts have had paltry returns, and insights into the where we should go from here. A complex issue is examined from many perspectives in an easy to read and compelling book. I highly recommend it to anyone interested in salmon.

I lived my whole life in this area and I had no idea the full extent of the damage we have done. Mr. Lichatowich presents us with a very well researched and thoroughly compeling book. I would recommend this to anyone that loves the Northwest.

AT THE HANDS OF PERSONS UNKNOWN will change your view of American history and race relations.

Mr. Dray's book is awesome. I have read more books on African-American history (Jim Crow, civil rights etc.) than I can count. Mr. Dray's book is simply the best.

Be prepared to be shocked and have your emotions touched. Mr. Dray describes the most horrible shameful acts in graphic details. He destroys the all the popular myths such as:lynchings were isolated acts by fringe elements such as the KKK, lynchings were the result of rapes or murders and that guilty "men" were simply "hanged".

The reality is much more gruesome, to the point that it makes one sick with shame. (Imagine the movie ROSEWOOD, intensified by 10X) Thousands of African-Americans (men, women and children) were tortured, mutilated, burned to death in the most sadistic ways a normal person in 2003 could not imagine. For many decades these lynchings did take place in the shadows by the KKK, but in picnic-like style in town squares in front of men, women and children!

Southern politians defended lynching as a way to "protect the southern way of life" against the "black brutes". AT THE HANDS OF PERSONS UNKNOWN leaves know doubt as to who the real brutes were.

Mr. Dray also includes the stories of many heroes such as Walter White, Ida B Wells and others who fought to expose lynching.

One closing comment- if you are a non-African-American, PLEASE read this book.

Dray notes that he knew very little about lynchings when he began his research for this book; I knew very little about this subject until after I read his book. Perhaps I am not unique in that much of what I think I know and understand about U.S. history has depended to a significant extent on films and television programs. ... Many of the lynchings described in Dray's book would be deemed today as "unsuitable for viewing" by the general public and thus would never be fully portrayed in a film or television program. And yet, for reasons Dray explains, many of the lynchings attracted large and enthusiastic crowds (which included women and small children) and were scheduled to accommodate as many people as possible. Several hangings were preceded by dismemberment and burning.

...

Dray's book is not primarily about such situations, although he traces lynching back to the American Revolution when Charles Lynch literally took the law into his own hands and hanged Tories who had stolen from him. A local court then exonerated his behavior. Dray explains that before the Civil War, more whites than blacks were lynched; that is, hanged without due process. It was only during the decades after the war ended that lynching became inextricably bound with racial strife as blacks were hanged in a progressively greater number and higher percentage than whites. Dray's extensive research of this period (roughly 1865-1900) provides some of the most interesting material in the book and his analysis of it is both rigorous and revealing. In many instances, the identities of those who conducted lynchings were concealed by white sheets or masks. Later, it was common to place a hood over the heads of those executed (after due process) by military, federal, or state officials.

I view Dray as both an historian and an anthropologist. He tries hard to understand (and to help his reader to understand) why human beings throughout U.S. history grabbed a rope and hanged another human being. (For a period of time, multiple hangings were not uncommon.) Obviously, some of the lynchers who ignored due process were absolutely convinced that they were agents of justice; the motives of others are also understandable, perhaps, but nonetheless contemptible. I am grateful to Dray for the extensive research he completed and even more for his analysis of what that research revealed. Some readers may quarrel with some of his conclusions. (I am unqualified to do so.) However, I think almost all readers will view this book as an important contribution to our understanding of a recurrent pattern of behavior which, until now (at least for me), has been neglected, ignored, or worse yet denied.

This book is easily the best book I have read so far this year. Dray explains how otherwise model citizens could murder, in the most brutal manners imaginable, Black (usually) Americans for imagined to minor transgressions (True, doubtless some of the lynched were guilty of the crimes they were accused of....Readers will be tempted to justify mob justice this way. Dray won't let you do this...the retribution is always excessive and driven by hate and fear, and completely devoid of anything resembling civilized justice). Coming from the South, I have taken classes on lynching before, so the pages Dray dedicated to explaining the origins of lynching were not nearly as compelling as his historical and legal analyses. Often one reads history books and still has trouble putting the events into context. Not so with this book. Dray captures the mood and hysteria of the times perfectly.

Dray also does a wonderful job of showing that lynching was not merely an aberration of Southern justice inflicted on Black men. Instead, lynching is described as a national sickness, with Black men, women, and children, White civil rights sympathizers, and Jewish people being the victims of the mob violence, both in the North and the South. Dray shows how the international image of the United States was tarnished during a time when it was supposed to be the vangaurd of democracy, opposed to a German facism that was cruelly mimicked on its own soil. He also pays tribute to the men and women of the NAACP and other like-minded organizations who had the gall to oppose mob murder. The ultimate failure of any federal anti-lynching law is a startling example of how ingrained lynching was in the national (especially the Southern) psyche.

This narration forced me to reexamine my own education about lynching. Before college (I'm from Georgia), I had never heard of Leo Frank, the 1906 Atlanta race riots, or Sam Hose. But I certainly had heard more than enough about the Salem witch trials. For these reasons it is required reading for Americans in general, and especially Southerners.

(warning: obviously, some of this book is difficult to read, as recountings of the lynchings are appropriately graphic and monstrous)

Where Blue Highways sprawled across the continental United States in a macro-view of America, William Least Heat-Moon reverses the lens and concentrates on (mostly) walking and (sometimes) driving a tiny subsection of the USA: Chase County, in the Flint Hills of eastern Kansas. The people he meets--the old timers who've seen the river rise and fall and mined the quarries, the feminist restauranteur, the female ranchers determined to succeed in the face of declining small-farm agriculture and chauvinism--are people who might make unlikely subjects for straight fiction, but Least Heat-Moon's gift is to make us care about their personal stories and worries anyway. The ecological, social, and political sides of Chase--and the personal issues and flights of fancy of the author's psyche--come into sharp focus under Least Heat-Moon's eye, which misses little; and his writing is clear enough to make you forget that you're reading something fascinating about something commonplace. The kind of book to make you wish the author was just a little more prolific

Having read BLUE HIGHWAYS several years ago I was excited when PRAIRYERTH came out and couldn't wait to read it. Even though itwas a huge book of about a thousand pages, my admiration for William Least Heat Moon was such that I knew I wanted to read this book.

When I began to realize we were never going to leave one county in Kansas I was already near the end of the book and wished that it wouldn't end.

I don't recommend this book to casual readers, for I think they will miss the beauty and fascination contained in these pages. But for those who love poetry and the sheer beauty of words mixed in with simplicity of spirit in story telling, there are few books that can come close to this one. I also have read RIVER HORSE and am hoping that William Least Heat Moon is writing his fourth book as I write these words!

I first picked up this book when a job change brought us into the Tallgrass Prairie region of Kansas. As it turns out, we settled in Cottonwood Falls, Chase County, Kansas! It was extraordinary to read PrairyErth, knowing that we would soon be experiencing this place first-hand.

There is truly nothing like living in this community and experiencing the sights, places and people described so richly in PrairyErth. William Least Heat-Moon knows this place well, and paints a picture that is as vivid and timeless as Chase County itself. As a "local", I've returned to this book time and time again.

Unfortunately, my job is now taking us away from here. If you've read the passage about Spring Street in Cottonwood Falls, then you know our home. This is truly a beautiful and extraordinary place; unique in the world. If you would like to experience the sense of community that my family and I have been so blessed with, give me a call.

If you're getting into birding, or want a good field guide to see what birds are at your cabin or in your yard, this is it.

It's got the bird listed opposite from the description and has arrows to show field marks of a species. New in the 5th edition are:

Maps on the same page as the description (maps improved too!)
The description mentions how common the bird is in the east.
The area covered doesn't take a sharp turn and leave out the tip of texas

If you're getting more into birding I'd highly recommend David Sibley's guide, it has many more views and plumages of each bird, but is a bit large to take in the field.

The 5th edition of Peterson's field guide is an improvement over previous edtions. The maps are included in the front with the birds now, in addtion to having a separate more detailed map in the back of the guide.
These range maps are the best of all current guides because the details are easiest to see because their so big.
Sibly's is great also but because of it's size(the guide itself) I wouldn't recommend it for the field, more as a reference for back home.
So if your going to own just one field guide the 5th edtion Peterson's is the best all around guide out there.

I may have finally found a relacement for my old Peterson Field Guide to Eastern Birds. My new Peterson guide -- BIRDS OF EASTERN AND CENTRAL NORTH AMERICA -- arrived today and is it beautiful. Best of all, it has a flexible cover and is light enough to carry into the field.

I have dozens of bird books, but this little guide is by far the best for field work. In addition to it's apparently waterproof and flexible cover, and being just the right size for a backpack (you can even carry it in your hand comfortably--no small feat for my arthritic hands), the new guide includes those nifty little arrows Peterson has used forever. The arrows, size specifications, and placement of maps on the same page as the species, allow the bird watcher to immediately locate and identify distingishing characteristics.

The Peterson guide does not contain as much detail as the SIBLEY GUIDE, or the NATIONAL GEOGRAPHIC BIRDS OF NORTH AMERICA, or the SMITHSONIAN HANDBOOK - BIRDS OF NORTH AMERICA, but the Peterson guide is detailed enough for field work and much lighter. If you are a serious bird watcher you will want to buy all four books, but if you can only afford one or don't want to invest in all four, the PETERSON GUIDE is still the best bet. And, I still think the Peterson guide is the best one to use with kids.

The National Geographic guide includes some wonderfully modeled bird specimens with incredible detail that could only be produced digitally. The Peterson illustrations are hand painted and thus not as detailed. Although other books may show more detail, the question is -- will you really need all the detail in the field? Generally, you have only a few seconds to identify a bird. Peterson's arrow markers and the alternating sections of white and light bluish-grey backgrounds make it easier for me to flip around the book quickly.

The SMITHSONIAN GUIDE is fully loaded and very heavy. Each bird occupies a single page, and the guide provides a nice "rule-of-thumb" feature that allows you to gauge the bird's size by the book size. I use my Smithsonian guide for follow-up work after a trek in the field -- and in my own back yard.

Apparently, the Peterson folks have considered the effects of global warming as the winter and summer ranges of the birds have been extended. I now have five kinds of wrens visiting my small back yard in Arlington VA. And, when I travel to Wisconsin in a week or so, I can use the Peterson guide because it extends west to Minnesota.

"Democracy in America", published in two parts (the first in 1835, the second in 1840), is the great work of Alexis de Tocqueville, a young, aristocratic Frenchman, who traveled through most of the Eastern, Southern, and Midwestern United States during a 9 month period in 1832. Tocqueville had originally set out to study the U.S. prison system but what he saw inspired him to write about much, much more.

The foresight he had for such a young man is really impressive to read 160 years later. What he saw in the morals, work ethic and government structure of the United States led him to accurately predict many of the ways in which the U.S. would lead and has led the world. At the same time Tocqueville was not oblivious to many of the ills in the America he saw. He very wisely writes of the cancer that the institution of slavery was to not only all black Americans, but to the white, Southern farmers and workers as well.

I hate having to give these books "stars" for ratings because in many cases it takes away from the ultimate importance and classic status of a book like this one. Tocqueville does tend to jump around and venture off into different topics that don't fit with the rest of their chapter, which could be attributed to his youth. Also, a few of his predictions, naturally, were way off. A native Texan, I had a good laugh at his view that "the province of Texas is still part of the Mexican dominions, but it will soon contain no Mexicans." But overall Tocqueville's view of America was honest, accurate, and the perfect explanation of why, on a daily basis, people continue to risk their lives to gain the freedom that only the United States of America offers.

De Tocqueville was an amazing man who posessed amazing insight into the workings (and not-workings) of American society. One only laments the fact that he was not a middle caste American politician arguing amongst great minds during the Constitutional conventions. Then again, we are equally lucky of the fact that he was a curious Frenchman of the leisure class who happened to be passing through. This is what gives de Tocqueville the ability to refrain from emotionalism and give us an outsiders view of what makes America good, bad and just plain different.

See, de tocqueville recognizes, as did our founders, that liberty and democracy are key ingredients to a healthy society. On the other hand, he points out that too much freedom or democracy lead to lazy, public-opinion driven conformity, over-emphasis on materialism and restlessness. Another contradiction de tocqueville points out is that although self-government is generally a good idea, there are times when an all powerful aristocracy is just more efficient. He can see all sides.
The best part then is that de Tocqueville doesn't come to any final conclusion. He just observes and reports on America's inner workings as seen by an aristocratic Frenchman.

A few reccomendations to the de tocqueville virgins. First, as this is the unabridged, it may be advised to read the first book, pause to read something else, then read the second book. I read it straight through and found that not only would I have benefited from reflection, but much of the second book is a rehash the first. Second, keep in mind during the second book that the word 'democracy' is also de tocqueville's word for 'capitalism'. The word 'capitalism' would be introduced only years later by one Karl Marx. So when de tocqueville says that democracy increases industriousness, what the reader should hear is that capitalism increases industriousness. This in itself is a brilliant observation by de tocqueville. Democracy and capitalism really are the same thing, different scale. The producer, like the political candidate, cater to the consumer or the voter. Both systems allow the individual to choose the goods and services he wants and reject those he doesn't. This is why one may also want to read 'Wealth of Nations' with this book.

The only other thing I can tell the reader before he or she embarks on a fascinating reading adventure is to keep in mind why de tocqueville wrote the book. He intended it to be read by the french who were not familiar with or had misconceptions about America. Of course, it provides contemporary America with an amazing historical survey. Like the introductory exclamation to MTV's 'Diary' show says, "You think you know, but you have no idea".

The specific edition I am reviewing is the Heffner addition which is a 300 page abridgement. I also own an unabridged edition but I have only read Heffner cover to cover. What is amazing about de Toqueville is how uncanny many of his observations are over a century and a half later. He accurately predicted in 1844 that the world's two great powers would be the United States and Russia. He aptly pointed out that Americans are a people who join associations and he is so right 156 years later. Although there are both religious extremists on both ends, ie fundamentalists and atheists, he was dead on that, as a whole, we are a religious society but that our religious views are moderate. De Toqueville shows how American characteristics evolved from democracy as opposed to the highly class structered societies of Europe. From de Tocqueville, it could have been predicted that pop culture, such as rock music etc, would develop in America because the lack of an aristocracy causes a less cultured taste in the arts. In a thousand and one different ways, I found myself marveling at how dead on de Toqueville was. Most controversially, those who argue that we have lost our liberties to a welfare state might well find support in de Toqueville. Here, 100 years before the New Deal, he forsaw that a strong central government would take away our liberties but in a manner much more benign than in a totalitarian government. There are certain liberties that Americans would willingly sacrifice for the common good. Critics of 20th century liberalism in the US might well point to this as an uncanny observation. By reading "Democracy in America," the reader understands what makes Americans tick. De Toquville was an astute observer of who we are as a people and should be read by all educated Americans.

I want to note that there are several editions of this great work and in deciding which to buy, be aware that each has a different translator. I feel Heffner's translation is slightly stilted but, he did such a wonderful job in editing this abridgement that it, nontheless, deserves 5 stars.